是之前介紹過的這位繪師
[啾啾☁] [影片] 今天是一個老師兼繪師的分享，他平日會在外面速寫，影片提及了許多速寫的困難與經驗 ...

這條影片我也覺得很有用，特別是第二個上色法，感覺很好玩

我翻翻重點好了

以下是一些不專業翻譯

0:34 you see me blocking in with very textured brushes? What I'm trying to do here is put down an nice variety of a random abstract brush strokes. And now I can paint into that.
"你看見我用一塊塊的帶有材質的筆刷嗎? 我希望加進不同的抽象隨機的筆刷筆畫，然後可以以此為基礎在上面畫。"

0:44 I always find that painterly stuff really works well. As least for me. When you kind of take chaos and bring chaos into order. It leaves the most interesting marks behind.
我最常發現油畫風格的填塞管用，至少對我自己來說。當你把這些混沌整理起來，最後會發現它們留下最有趣的印記。

1:04 ...the goal of this stage is like to give myself a big sandbox to play in. Because I know that some of those crazy abstract marks are actually gonna left behind in the final. And because they are unpredictable and random, it will give the painting a freshness.
這階段的目標是給我自己一個大的沙盒可以玩耍，因為我知道這裡面的某些印記將會存留到最後，而且因為它們是隨機、不可預料的，所以會給這張圖帶來新鮮感。

3:12 And here is a little Photoshop trick you might wanna try is kind of a cherry on top. Dulipicate the layer, goto Filter, Stylize, Find Edges.

Photoshop find all the edges of your shapes. Set that to multiply, and then make a layer mask, color it black so nothing shows through. Then with the white airbrush. Paint back in some of those little outlines that Photoshop has found.

然後以下是一個小小的PS技巧，可以讓這張圖錦上添花。 先複製這個圖層，然後去濾鏡> 風格>找邊緣。 PS會幫你找到你的圖的邊緣，然後把複製的圖層模式調成色彩增值，然後弄一個遮色片，把它塗成黑色，讓它不會顯示出任何東西，之後用白色的噴槍，把一些PS找的邊緣噴回去。(這段太多字所以分開貼)

4:26 at this point I'm just blocking in some ... local color, you know, redness in the cheeks, some 5 O'clock shadow kind of thing. I'm still actually doing my chaotic thing. You'll notice that this shapes are not very realistic... some of them don't even conform to any... like this shape, that dosen't really mean anything. It's just graphic and fun.

在這時候我在填塞一些 ...(突然稱讚蝙蝠俠的豐唇)... 基本色彩，就像是臉頰的紅潤、下巴的鬍渣等等。我仍然在重複上一個風格那種混沌的手法，你可以看出來我在填色的這些形狀並不現實，有些形狀根本不是...就像這個形狀，它根本不代表任何東西，只是一個有趣的圖形。

啾啾好用心 ！覺得這個好棒喔！

sekai3246: 他講解得很棒，所以我想更多人能看到~

7:22 There actually no such a thing as "realistic color". All you have to worry about is values. And as you can see here, if your values are good, you can really get away with greens in a jar, blues in a jar and all the stuffs that you might not be inclined to try in your work.

沒有一種東西叫作 " 寫實的顏色"，你需要留意的只有質量(我覺得他指的是人體結構等)。在這張圖上你可以看到，如果你的質量很好，你可以擺脫"各種顏色分開來放"這個概念，然後嘗試一些你從未打算嘗試的事。

9:37 when I turn the lines on and off like that, you can really see that without the lines, the illustrations doesn't quite hold up. Whereas Batman no.2 totally did hold up without lines it justs proves that there two different stylistic languages happening here.
當我打開關閉線條，你可以看見當這張圖沒有線條，上面繪製的顏色並不固定，但上一張的蝙蝠俠可以靠顏色就固定整張圖，這證明它們是兩種不同風格。

(第四種是油畫風格)
10:51 so on the layer here I'm setting that stroke effect ...
10:56 that means very brush strokes that goes down on this layer will have that dark stroke outline around it which might give the paint a little feel of thickness
在這裡我正在設定一個筆刷效果(10:51)
所以任何筆觸都會有深色線在外圍，會帶給筆刷厚實的感覺。

14:03 I really find that style is like speaking a language. It's like different dialet in a language or using slang. That's how I think about it. Almost like how a good writer has to be able to sound like different characters. Even though the characters may all speak English, they don't all speak the same way.

我發現個人風格就像是談吐，就好比不同的口音或是俚語，像是作家要寫出不同角色的說話方式，即使所有角色都說英語，他們說話的方式也都各有差異。

(剩下的也沒什麼了，翻譯到此結束)

覺得他上色都很大膽又有趣 正是我想嘗試的 因為我總是很膽小的不敢用太突出的色彩看了這片後會讓我反而想試試看了 謝謝你的分享